However, through contemporary art — like Dave Jordano’s evocative photography, it becomes a subject rich with narrative, symbolism, and historical depth.

His exhibition, “Duck Blinds,” now on display at the Blanden Memorial Art Museum, provides a lens through which hunting culture can be understood not just as a practice, but as an evolving aesthetic tradition.

The aesthetic of hunting traditions

Hunting in the Midwest is more than a pastime; it is a tradition that fosters conservation efforts and strengthens communal ties. The culture carries distinct visual markers–camouflage gear, preserved game trophies, and ceremonial harvest celebrations — all of which form a thematic language ripe for artistic exploration.

-Submitted photo
Portraits of duck blinds line the gallery walls at the Blanden Memorial Art Museum. Dave Jordano’s photography exhibit entitled “Duck Blinds” is on display through April 18.

While hunting imagery has often been relegated to kitsch, contemporary artists reinterpret its significance, bridging rural and urban perspectives. The relationship between hunter and prey, man and landscape, ritual and instinct, creates moments of tension and reflection — all of which inspire compelling artistic narratives.

Hunting in contemporary art

Historically, much of the art associated with hunting has been seen as sentimental decoration. However, today’s artists challenge these conventions, using hunting imagery to examine ethical, environmental, and philosophical dimensions of the practice.

Through their work, they prompt viewers to consider the broader implications of hunting — its role in conservation, sustenance, and identity. Moving beyond stereotypes, these artists celebrate hunting traditions while also questioning their evolving place in modern society.

Artist Spotlight: Dave Jordano

Resting in the shallow waters along the banks of the Mississippi River, hunting blinds have been a fixture on the northwestern shores of Illinois for generations. Once registered and regulated by the Department of Natural Resources, these structures were built using natural materials. Recently, however, the DNR has banned their use, requiring all existing blinds to be dismantled before the next hunting season. Only temporary structures will be permitted moving forward.

Photographer Dave Jordano was drawn to document these blinds for their individuality. Each structure carries a visual narrative, reflecting the distinct sensibilities of its maker while adhering to fundamental construction principles. Though utilitarian in purpose, the blinds are often creative and deeply personal. Jordano’s photographs serve as an homage to their uniqueness and their role in hunting tradition.

About the artist

Born in Detroit, Michigan, in 1948, Jordano earned his photography degree from the College for Creative Studies in 1974. After a successful career in commercial photography, he transitioned to fine art and documentary photography, earning numerous accolades. His work has been exhibited widely and is included in the permanent collections of institutions such as The Museum of Contemporary Photography in Chicago, the Museum of Fine Arts in Boston and Houston, and the Detroit Institute of Arts.

Exhibition at the Blanden

Visitors to the Blanden Memorial Art Museum have the opportunity to experience this unique perspective firsthand. Jordano’s “Duck Blinds” series captures the individuality of these structures, turning them into visual narratives that open perceptions of hunting and art.

This exhibition will be on display at the museum from today through April 18. A reception will be held from 2 to 4 p.m. Feb. 15 at the museum.